{"id":28,"date":"2025-07-30T20:22:21","date_gmt":"2025-07-30T20:22:21","guid":{"rendered":"http:\/\/orchestre-baroque-essonne.fr\/?page_id=28"},"modified":"2025-08-05T20:38:36","modified_gmt":"2025-08-05T20:38:36","slug":"repertoire","status":"publish","type":"page","link":"https:\/\/orchestre-baroque-essonne.fr\/index.php\/repertoire\/","title":{"rendered":"R\u00e9pertoire"},"content":{"rendered":"\n<figure class=\"wp-block-image size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"1024\" height=\"683\" src=\"http:\/\/orchestre-baroque-essonne.fr\/wp-content\/uploads\/2025\/08\/DSC9395-1024x683.jpg\" alt=\"\" class=\"wp-image-320\" srcset=\"https:\/\/orchestre-baroque-essonne.fr\/wp-content\/uploads\/2025\/08\/DSC9395-1024x683.jpg 1024w, https:\/\/orchestre-baroque-essonne.fr\/wp-content\/uploads\/2025\/08\/DSC9395-300x200.jpg 300w, https:\/\/orchestre-baroque-essonne.fr\/wp-content\/uploads\/2025\/08\/DSC9395-768x512.jpg 768w, https:\/\/orchestre-baroque-essonne.fr\/wp-content\/uploads\/2025\/08\/DSC9395-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1024px) 100vw, 1024px\" \/><\/figure>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>2025 : \u00ab\u00a0Irr\u00e9sistible Telemann\u00a0\u00bb<\/summary>\n<p class=\"has-medium-font-size\"><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-base-color\">Suites pour orchestre de <\/mark><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">Georg-Philipp Telemann<\/mark><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-base-color\"> : TWV 55 h1 en si mineur, TWV 55D23 en r\u00e9 majeur et TWV 32;2 en r\u00e9 mineur<\/mark><\/p>\n\n\n\n<p><\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>2024 : \u00ab\u00a0Ira Naturae \u00bb<\/summary>\n<p class=\"has-medium-font-size\">Temp\u00eates, orages, tornades, canicules, naufrages Au XVIIe et au XVIIIe si\u00e8cle, on n\u2019h\u00e9sitait pas \u00e0 faire se d\u00e9cha\u00eener les \u00e9l\u00e9ments pour mieux \u00e9voquer les tourments de l\u2019\u00e2me humaine. D\u2019un d\u00e9r\u00e8glement des passions \u00e0 celui climat, il n\u2019y a qu\u2019un pas\u2026 que franchit l\u2019Orchestre ! Oeuvres d\u2019<mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">Antonio Vivaldi, Elisabeth Jacquet de la Guerre, Jean-Philippe Rameau, Henry Purcell et Michelangelo Falvetti.<\/mark>..<\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>2023 : \u00ab\u00a0Concerto ? certo !\u00a0\u00bb<\/summary>\n<p class=\"has-medium-font-size\">Aux origines du concerto, de Venise \u00e0 Berlin&#8230; Musiques pour viole de gambe, violoncelle, basson de <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">Giovanni Gabrieli, Johann Gottlieb Graun&#8230;<\/mark><\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>2022 \u201cR\u00e9jouissance\u201d<\/summary>\n<p class=\"has-medium-font-size\">Troisi\u00e8me \u00ab\u00a0Production\u00a0\u00bb de la <em>Tafelmusik<\/em> de <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">Georg-Philipp Telemann<\/mark><\/p>\n<\/details>\n\n\n\n<p><\/p>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>2022 : \u00ab\u00a0Fugues et Caprices\u00a0\u00bb<\/summary>\n<p class=\"has-medium-font-size\">Musiques instrumentales de <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">Marc-Antoine Charpentier, Henry Dumont, Louis Couperin et Fran\u00e7ois Roberday<\/mark><\/p>\n\n\n\n<p><\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>2021 : \u00ab\u00a0L&rsquo;esprit d&rsquo;ouverture\u00a0\u00bb<\/summary>\n<p class=\"has-medium-font-size\">Ouvertures suite d&rsquo;orchestre de <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">Georg-Philipp Telemann, Johann-Friedrich Fasch, Jan-Dismas Zelenka, et Francesco Venturini.<\/mark><\/p>\n\n\n\n<p><\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>2020 : \u00ab\u00a0Le G\u00e9ant et l\u2019Inconnu\u00a0\u00bb<\/summary>\n<p class=\"has-medium-font-size\"><em>Concerti<\/em> <em>grossi<\/em> opus 3 de <a href=\"https:\/\/youtu.be\/z0ZbcVJeylE?t=1923\">Georg Friedrich Haendel<\/a> (versions in\u00e9dites provenant des Biblioth\u00e8ques de Dresde et Darmstadt) et <em>Sinfonia<\/em> pour cordes et continuo in\u00e9dite d&rsquo;<mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">Antonio Martinelli<\/mark><\/p>\n\n\n\n<p><\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>2020 : \u00ab\u00a0Estro Armonico\u00a0\u00bb<\/summary>\n<p class=\"has-medium-font-size\"><em>l&rsquo;Estro Armonico\u00a0\u00bb<\/em> opus 3, Concerti<em> <\/em>pour cordes d&rsquo;<mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">Antonio Vivaldi<\/mark><\/p>\n\n\n\n<p><\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>2019 : \u00ab\u00a0Masques et F\u00e9eries\u00a0\u00bb<\/summary>\n<p class=\"has-medium-font-size\">Airs et danses extraits de <em>Fairy Queen<\/em> de <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">Henry Purcell<\/mark><\/p>\n<\/details>\n\n\n\n<p class=\"has-large-font-size\"><\/p>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>2019 : \u00ab\u00a0Les \u00e9checs de l\u2019Acad\u00e9mie Royale de Musique\u00a0\u00bb<\/summary>\n<p class=\"has-medium-font-size\">Suite des danses de <em>C\u00e9phale et Procris<\/em> d&rsquo;<mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">Elisabeth Jacquet de la Guerre<\/mark> et de <em>Th\u00e9ag\u00e8ne et Claricl\u00e9e<\/em> d&rsquo;<mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">Henry Desmarest<\/mark> ; Extrait de <em>M\u00e9d\u00e9e<\/em> de <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">Marc-Antoine Charpentier <\/mark>(Prologue et 3e Acte)<\/p>\n\n\n\n<p><\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>2019 : \u00ab\u00a0Les Indes Galantes\u00a0\u00bb<\/summary>\n<p class=\"has-medium-font-size\">Airs et danses extraits du Ballet <em>Les Indes Galantes<\/em> de <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">Jean-Philippe Rameau<\/mark><\/p>\n\n\n\n<p><\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>2018 : \u00ab\u00a0Dans le go\u00fbt th\u00e9\u00e2tral\u00a0\u00bb<\/summary>\n<p class=\"has-medium-font-size\"><em>Huiti\u00e8me Concert royal <\/em>de <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">Fran\u00e7ois Couperin <\/mark>et<mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\"> <\/mark><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-base-color\">extraits de <em>King Arthur<\/em><\/mark> d&rsquo;<mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">Henry Purcell<\/mark><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>2017 : \u00ab\u00a0Les Quatres Saisons\u00a0\u00bb<\/summary>\n<p class=\"has-medium-font-size\"><em>Le quattro stagioni<\/em> extraites de l&rsquo;opus 8 <em>Il cimento dell&rsquo;armonia e dell&rsquo;inventione<\/em> d&rsquo;<mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">Antonio Vivaldi<\/mark><\/p>\n\n\n\n<p><\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>2017 : \u00ab\u00a0Bach, un g\u00e9nie au multiples visages\u00a0\u00bb<\/summary>\n<p class=\"has-medium-font-size\">Cantate <em>Herr Christ, der einge Gottessohn<\/em>&nbsp;BWV 96, 4e et 5e<em> Concertos Brandbourgeois<\/em> BWV 1049 et BWV 1050 de <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">Johann-Sebastian Bach<\/mark><\/p>\n\n\n\n<p><\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>2016 : \u00ab\u00a0l\u2019Italie Baroque\u00a0\u00bb<\/summary>\n<p class=\"has-medium-font-size\"><em>Concerti Grossi<\/em> d&rsquo;<mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">Arcangelo Corelli<\/mark>, <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">Pietro Antonio Locatelli<\/mark> et <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">Francesco Geminiani<\/mark><\/p>\n\n\n\n<p><\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>2015 : \u00ab\u00a0Musique \u00e0 la cour de Louis XIV\u00a0\u00bb<\/summary>\n<p class=\"has-medium-font-size\">Airs et danses extraits d&rsquo;<em>Acis et Galat\u00e9e<\/em> de <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">Jean-Baptiste Lully<\/mark> ; <em>Symphonies pour les soupers du Roy<\/em> de <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">Michel-Richard Delalande<\/mark><\/p>\n\n\n\n<p><\/p>\n<\/details>\n\n\n\n<details class=\"wp-block-details is-layout-flow wp-block-details-is-layout-flow\"><summary>2014 : \u00ab\u00a0Jean-Marie Leclair\u00a0\u00bb<\/summary>\n<p class=\"has-medium-font-size\">Danses extraites de <em>Scylla et Glaucus<\/em> et <em>2e r\u00e9cr\u00e9ation de Musique<\/em> de <mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\">Jean-Marie Leclair<\/mark><\/p>\n\n\n\n<p class=\"has-medium-font-size\"><div><mark style=\"background-color:rgba(0, 0, 0, 0)\" class=\"has-inline-color has-accent-2-color\"><\/mark><\/div><\/p>\n<\/details>\n\n\n\n<p><\/p>\n\n\n\n<p>et aussi les <a href=\"http:\/\/orchestre-baroque-essonne.fr\/index.php\/repertoire\/les-inedits\/\" data-type=\"page\" data-id=\"77\">in\u00e9dits<\/a> ! <\/p>\n\n\n\n<p><\/p>\n","protected":false},"excerpt":{"rendered":"<p>et aussi les in\u00e9dits !<\/p>\n","protected":false},"author":1,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"class_list":["post-28","page","type-page","status-publish","hentry"],"_links":{"self":[{"href":"https:\/\/orchestre-baroque-essonne.fr\/index.php\/wp-json\/wp\/v2\/pages\/28","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/orchestre-baroque-essonne.fr\/index.php\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/orchestre-baroque-essonne.fr\/index.php\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/orchestre-baroque-essonne.fr\/index.php\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/orchestre-baroque-essonne.fr\/index.php\/wp-json\/wp\/v2\/comments?post=28"}],"version-history":[{"count":27,"href":"https:\/\/orchestre-baroque-essonne.fr\/index.php\/wp-json\/wp\/v2\/pages\/28\/revisions"}],"predecessor-version":[{"id":326,"href":"https:\/\/orchestre-baroque-essonne.fr\/index.php\/wp-json\/wp\/v2\/pages\/28\/revisions\/326"}],"wp:attachment":[{"href":"https:\/\/orchestre-baroque-essonne.fr\/index.php\/wp-json\/wp\/v2\/media?parent=28"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}